[see also Big
Bend Field Notes]
Desolate Majesty: Preserving beauty without borders
BY JOE NICK PATOSKI
Texas and Mexico, the Big Bend region is high in biodiversity and low
in footprints. It’s a place so untamed that if something doesn’t bite,
stick, or sting, it’s probably a rock.
Photograph by Jack
You know you have arrived in the heart of the Chihuahuan Desert when
it feels as if you have fallen off the edge of the Earth and into the
rabbit hole. Nothing is as it appears. Moths are the size of hummingbirds.
Are those twin pillars of black igneous rock (a landmark known as Mule
Ear Peaks) ten miles (16 kilometers) away or fifty (80 kilometers)? Visibility
reaches more than a hundred miles (160 kilometers) on a clear day, and
since there are few roads or buildings to use as milestones, distance
is difficult to judge. A jackrabbit runs so fast across the hardpan that
its hind legs stretch ahead of its front ones, like in a cartoon. A black
bear rambles through high desert canyons, picking its way through the
yucca and prickly pear, oblivious to the fact that it seems out of place
in this landscape. But that’s OK. No one is around to notice.
Legend says that after God created the rest of the world, he dumped the
leftovers into this giant sandbox. The devil is supposed to be sealed
up in a cave on the south bank of the Río Bravo del Norte (known
on the U.S. side as the Rio Grande), except when he escapes on a swing
hung between nearby mountains. This is a place where water runs uphill,
where rainbows have to wait for rain. The line between myth and reality
blurs. Stare long enough at the Chisos Mountains or the Sierra del Carmen,
the two mountain ranges, known as sky islands, that anchor the territory,
and they levitate above the plain. And you haven’t had a drop of tequila.
But you are under the influence of something stronger. Try inhaling the
scent of creosote bushes after it rains and not feel light-headed. It
is a powerful aphrodisiac. Walk across 80 miles (130 kilometers) of low
and high desert, as I have, and an appreciation develops for what others
might dismiss as a moonscape. Without trees or shrubs to get in the way,
the view is unobstructed: 500 million years of geologic turmoil and erosion
is laid bare over miles of fine sand, gravel, rocky rubble, spongy bentonite,
lava spewed from volcanic eruptions.
The vast Chihuahuan Desert has long been known as El Despoblado, the land
of no people. The name remains accurate today: The wildlife population
still exceeds the human one. But in this part of the desert, on both sides
of the border between Texas and Mexico, another name is taking hold: El
CarmenBig Bend Transboundary Megacorridor, a label only a conservationist
could love. It is two and a half million acres (one million hectares)
of one of the most biologically diverse desert regions in the world–the
largest block of protected land in the Chihuahuan Desert.
The idea of preserving this place started with a dream. In the 1930s advocates
in both Texas and Mexico wanted to create an international peace park.
That idea never took off, but what is emerging in its place is far larger
and more ambitious. On most maps, the megacorridor is blank space, the
only mark a squiggly line for the river that doubles as an international
boundary. It is dominated by six separate chunks of protected land that
hang off the Rio Grande like clothes whipping around a clothesline. On
the Mexico side, it includes the Cañón de Santa Elena in the
state of Chihuahua and the Maderas del Carmen in the state of Coahuila.
On the Texas side, two state protected areas flank Big Bend, a U.S. national
park named for the sharp curve where the Rio Grande’s southeasterly flow
takes an abrupt turn to the north, like a car swerving to avoid an armadillo.
The sixth piece is a ribbon of land on the U.S. side of the river itself.
From the air, the region is distinguished by huge cracks, crags, wrinkles,
and crevices, apparently devoid of life. On the ground, it is no more
welcoming. The temperature can reach over a hundred degrees (38ºC)
on a summer day and sink below freezing on a winter night. The wind can
blow 50 miles (80 kilometers) an hour for days on end. We are talking
rough country. Civilization is far away, no matter what direction you
came from. The remoteness is intimidating. Bad things happen. That can
mean a rattlesnake bite, a scorpion sting, a stealth hit by an assassin
bug. You might get stabbed by a spiny tip when you stumble into a low
lechuguilla cactus, or scraped by the branches of a catclaw, or impaled
by a horse crippler cactus. As locals say, if something doesn’t bite,
stick, or jab, it’s probably a rock.
Beneath their armor, some plants possess valuable food or medicine. Take
the sotol, a succulent with swordlike leaves and serrated edges, which
proliferates on the high Chihuahuan Desert. Its bulbs, when baked underground
for 48 hours as the ancients did, taste like steamed artichoke. The same
bulbs, properly fermented into moonshine, pack a wallop similar to tequila.
There is always the chance you’ll die of thirst. The You Can Die possibilities
are endless, which keeps some visitors–350,000 a year to Big Bend National
Park–from coming back. Those who do return are left to ponder the remarkable
grit of the hardy few who have managed to survive in this spare, unforgiving
environment. Not to mention the roadrunners and kangaroo rats, so adapted
to the arid climate they don’t even need to drink.
Contradictions come naturally here. The landscape is 90 percent desert
yet erupts into cliffs 1,500 feet (460 meters) high and mountains above
8,900 feet (2,700 meters). These skyscrapers are home to penthouse residents
such as bigtooth maples, quaking aspens, and Douglas firs. They soak up
water snagged from the clouds–up to 20 inches (50 centimeters) of rain
a year–while their neighbors on the desert floor must make do with less
than 10 inches (25 centimeters). When it does rain, mostly during the
summer “monsoons” from July through September, spindly ocotillos sprout
leaves and spew flaming red shoots from the tips of their woody spines.
Stalks of yucca burst with huge bouquets of tough, creamy white blossoms
as big as ladling spoons. The candelabras that emerge from the heart of
agaves sag heavily with radiant yellow blooms. This whole lot of nothing
is full of life.
As tough as it looks, the Chihuahuan Desert is a fragile place. Few humans
have stepped here, but footprints fall heavily in the desert. Since the
1800s, the region has been mined, logged, hunted, and overgrazed. Now
it is being allowed to heal its wounds, helped along by governments, corporations,
and individuals on both sides of the border. In 1944, Big Bend National
Park was established, and a joint park with Mexico was envisioned. But
it wasn’t until 1994 that the Mexican government designated more than
a million acres (405,000 hectares) as the Cañón de Santa Elena
and the Maderas del Carmen Flora and Fauna Protection Areas. In 1999,
a cement company arrived on the scene, not to pave paradise but to preserve
it. Cemex, the Mexican cementmaker with operations in 50 countries, has
purchased hundreds of thousands of acres along the border to set aside
This is a different model of conservation. Mexico lacks the funds to purchase
land for parks or wildlife habitat, a situation becoming increasingly
common in the United States. So on the Mexico side of the corridor, much
of the protected land is privately owned. Mining has been allowed to continue.
Rather than removing the 5,000 ranchers and farmers living within the
protected areas, as U.S. national parks historically have done, conservationists
are teaching them why it’s in their interest to protect the land. The
goal is to give residents a sense of stewardship that national parks do
not. “You have to understand, the concept of wilderness doesn’t presently
exist in Mexico,” says Patricio Robles Gil, an environmentalist and architect
of the partnership with Cemex. “In Spanish, we don’t have a word for wilderness.
This is all new, but it could be the model beyond a national park.”
After a long day working in the desert, a group of conservationists gathers
for a dinner of steaks and tortillas at the Cemex reserve’s main lodge.
There is talk of the future. Already, a couple of adjacent areas are being
proposed to join the two protected areas on the Mexican side. They discuss
reintroducing the grizzly bear, the Mexican gray wolf, and bison–all
believed to have been native to the area. Anywhere else, such talk would
be dismissed as a fairy tale. In the Transboundary Megacorridor, such
dreams seem possible.
And why not? The desert bighorn sheep has been reestablished, as has the
pronghorn antelope. Decades ago, only a few remaining black bears could
be found tucked away in the isolated mountain ranges of Coahuila. A group
of Mexican ranchers decided to quit hunting bears and start protecting
them instead. Now you see black bears on the Texas side of the river again.
Wildlife pays no attention to international boundaries.
To its true believers, the megacorridor is the whole world boiled down
to its essence. It is “pure raw,” says a conservationist who has fallen
under its spell, one of the last places on the North American continent
where wild trumps humanity, and one of the only spots where wilderness
is actually expanding instead of contracting. At a time when most of the
Earth’s stories focus on what is being lost, that is a contradiction worth
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Bend Field Notes
Big Bend Field Notes
BY JOE NICK PATOSKI
The author jumps over a watery passage in the Chihuahuan Desert. Two and a half million acres (one million hectares) of this desert straddle the Texas-Mexico border in a block of protected land known as El CarmenBig Bend Transboundary Megacorridor. The area is one of the most biologically diverse desert regions in the world, so Patoski had to watch his step. As the locals say, if something doesn’t bite, stick, or jab, it’s probably a rock.
Photograph by Jack W. Dykinga
While researching this story, I joined five other people and walked across the bend in the Big Bend, a six-day, 80-mile (130 kilometers) hike. That may have been the most physically difficult trek I’ve ever attempted. It was certainly the first time I’d ever done extended overnight backpacking. My lower back ached for weeks afterward.
Eight months later, I’d forgotten the pain and–for the first time ever–soloed in a canoe through 60 miles (100 kilometers) of the lower canyons of the Rio Grande. The lower back acted up for a while after that, too, but in a good way. Both experiences underscored the efforts one endures in search of the kind of solitude many seek but few ever realize, regardless of lower back pain.
“If you don’t like the weather, just wait a few minutes; it’ll change.” That old homily about Texas weather popped into my head after I dodged the bullet that photographer Jack Dykinga and Mexican environmentalist Patricio Robles Gil took.
After spending a couple days in Big Bend National Park, plotting and planning our adventures and camping out near Old Ore Road, I headed back to civilization while Jack and Patricio prepared to paddle Santa Elena and Mariscal canyons, two of the three major canyons on the Rio Grande within the boundaries of the national park.
When I left them on a Saturday morning, the skies were clear, and the temperatures had already climbed to around 70 degrees (20°C). It looked like it was going to be a warm and sunny early spring day. But I hadn’t driven more than an hour when the winds started whipping up out of the north and dust kicked up on the horizon. By the time I reached Fort Stockton, about 120 miles (190 kilometers) north of the park, the temperature had dropped to the upper 40s.
I talked to Jack a week later to ask about his trip through the canyons. “It was the trip from hell,” he said wearily. Once the winds began to blow, they didn’t quit for a week, with some gusts exceeding 65 miles (105 kilometers) an hour. More than once, their canoe was blown away from their campsite. Jack’s sniffles turned into a full-blown case of the flu, and he passed it on to Patricio. I waited until he was finally done with his complaints. “Welcome to the Big Bend,” I replied.
The Cemex preserve in the Sierra Del Carmen, is 50 miles (80 kilometers) from Boquillas Crossing on the Rio Grande, as the crow flies. Driving there on rough dirt roads used to take a little more than two hours, once you paid a boatman two dollars to row you across to Mexico in his dinged-up Mexican johnboat. It was a funky way to travel, made more adventurous knowing there was no customs or immigration on the Mexican or the U.S. side (although U.S. Border Patrol highway checkpoints and Mexican military stops manned by bored uniformed teenagers toting automatic weapons loomed farther in the interior). This was too middle-of-nowhere to justify permanent posts. Then September 11, 2001, happened, and everything about the Borderlands changed–including traditional means of crossing the river.
A drive between those same two points now takes at least ten hours. Heightened border security put an end to the freelance ferry tradition. In the past, almost all ferry passengers were tourists from Big Bend National Park bound for Boquillas del Carmen, a primitive village of 300 about a mile from the river, whose residents largely supported themselves selling food, drink, quartz, overnight accommodations, walking sticks, quilts, and trinkets to the visitors. Now the village is slowly depopulating; half of the people have already left.
In the high country of the sierra, I found another Boquillas resident, David, one of the boatmen who used to row visitors across the Rio. These days, he tends to a tricked-out log cabin lodge the Cemex corporation has built overlooking a dammed-up stretch of a clear-running creek. He’s glad to have a job, he said. On weekends, he can go home to Boquillas. It could be worse, David added. Other locals who still call Boquillas home work in Musquiz, another 50 miles (80 kilometers) distant, and many there return home but once a month.
Willie Nelson: An Epic Life | Why I wrote this
Willie Nelson’s 75th birthday
with Joe Nick Patoski
WILLIE NELSON: AN EPIC LIFE
In stores April 21st, 2008
The realization Texans are different from everybody else hit me about
an hour after I’d first set foot on Texas soil. I was only two years old
but I distinctly remember my father picking up my mother, my sister and
me at the Greater Fort Worth International Airport and driving us to our
new home in Fort Worth, stopping along the way at the Big Apple Barbecue
on Highway 183. The waitresses talked funny and the smoked beef brisket
covered in barbecue sauce we were served tasted like nothing I’d experienced,
vaguely familiar and strange and exotic all once. Even as the hot spices
set fire to my lips and the inside of my mouth, I immediately wanted more.
I’ve been trying to figure out Texas and Texans ever since. Fifty two
years later, I realized the answer had been right in front of me for most
of my life. There were vague memories of the smiling friendly face flickering
on Channel 11 singing songs live from Panther Hall on the Cowtown Jamboree
and on Ernest Tubb’s show in a voice that could have only come from Texas.
I grew familiar with the songs by listening KCUL, the Country & Western
radio station, although versions of “Hello Walls” and “Crazy” by other
people were Top 40 hits in Fort Worth. The first interview came in 1973
for Zoo World magazine. After thirty five years of writing about him and
many others, I can now safely say no single public person living in the
20th or 21st century defines Texas or Texans better than Willie Hugh Nelson.
Texans by nature are independent, free-thinkers, open, outgoing and friendly.
Iconoclasts, they respect tradition but are not beholden to it. Whether
it’s God or sin, they tend to embrace excess. The good ones have a whole
lot of heart. They are creatures of geography, exuding a sense of place.
They reflect their climate and sometimes are a little crazy from the heat.
They are wanderers and explorers, keen to improvise, curious enough to
discover They are loud and boisterous when they need to be. They seem
to go out of their way to make friends with strangers. They are great
storytellers and some of the most distinctive music makers on earth. You
know Texas music when you hear it, just like you know Willie’s music.
A certain red headed stranger was once said to say, “Don’t let the truth
get in the way of a good story.” I tried my best to ignore that sage advice
once I took on this project. On the back side, all I can say is that getting
all the facts straight while piecing together the history of a culture
considered too low, too sordid, and too wild to be worth documenting in
print was no sure thing. Many characters were too busy living life to
the fullest, sometimes under the influence of alcohol, nicotine, Dexedrine,
Black Mollies, marijuana, boredom, and being caught up in the adage, “If
you can remember the sixties, you weren’t there” to remember the trivial
details of time and place. Then there were those who were inclined to
con for the pure sport of it.
Fortunately, my subject was accommodating and open – exactly the person
I’ve always thought him to be. He’s the story. I’m just the teller.
Copyright © 2008 Joe Nick Patoski