My phone talk with Michael Pollan that ran on Talk at Ten
on KRTS-FM in Marfa, MarfaPublicRadio.or
Part Three of the stories behind the story of my West Texas Music drive, one of 18 drives in Texas Monthly’s Drive issue, June, 2012
CANYON is the gateway to Palo Duro Canyon, Texas’s Grand Canyon, and the home of Texas’s Smithsonian, the Pahandle-Plains Museum, which tells the stories of the people of the Panhandle, the Great Plains, and far North and near West Texas. It’s a beautiful building loaded with outstanding artifacts and recreations of dugout, Indian communities, and old western towns. One of my favorite artifacts is a painting by Georgia O’Keefe when she was a teacher at West Texas State Normal College in Canyon, now known as West Texas A&M. It illustrates that this part of Texas, not New Mexico, was where O’Keefe first fell under the influence of bright natural light.
PPM is an easy place for a curious mind to get lost in.
Unfortunately, for being such a great repository, PPM does not have a permanent music exhibit (then again, in Amarillo, just up the Interstate, there is no absolutely no formal recognition of local hero Eck Robertson, who is credited with making the very first country music record with Henry Gilliland when the Victor company released two sides they recorded, “Sallie Goodin” and “Arkansas Traveler,” in 1922).
What the PPM does have is an extensive archive including music artifacts. If a visitor plans ahead to make an appointment with archivist Warren Sticker, you can go into the stacks and see up close and personal one of Bob Wills’ fiddles (the best they’ve got in Turkey is a fiddle that belonged to Bob’s father), as well as the acoustic guitar belonging to Buddy Knox from Happy, the band leader of the Rhythm Orchids, the West Texas rock and roll and rockabilly band second only to Buddy Holly’s Crickets, famous for their big hits “Party Doll” as well as “Hula Love,” “Rock Your Baby to Sleep,” and “Think I’m Gonna Kill Myself.”
PANHANDLE- PLAINS HISTORICAL MUSUEM
CANYON Panhandle-Plains Historical Museum, 2503 4th Avenue, Canyon
Admission $10 for adults, 9am – 6pm Mon-Sat during summer months
To see Bob Wills’ fiddle and Buddy Knox’s guitar, contact archivist Warren Sticker to set up an appointment. 806 651-2254, firstname.lastname@example.org There is an additional $5 charge to access the research center
On to Houston, and Miller Outdoor Amphitheater on June 2 for the Big Squeeze finals and the Texas Accordion Kings and Queens concert.
The wrap: TEXAS FOLKLIFE’S BIG SQUEEZE ACCORDION CONTEST FINALISTS ANNOUNCED
Free Concert and Playoffs held at The Bob Bullock Texas State History Museum Saturday, April 28
Finalists will perform at 23rd annual Accordion Kings & Queens Festival held on Saturday, June 2 at Houston’s Miller Outdoor Theatre
Austin, Texas – April 30, 2012 – There was a whole lot of squeezeboxing going on last Saturday on the Lone Star Plaza at the Bullock! There were over 700 music fans in attendance—the largest crowd on record for the semifinals contest—to cheer this year’s winners as they were selected. The Big Squeeze 2012 finalists are: Peter Anzaldua, 15, of Brownsville; Omar Garza, 17, of Mission; Luis Gonzales, 16, of Grand Prairie; and Michael Ramos, 16, of Dallas. These young musicians will perform at the Accordion Kings & Queens Festival in June when the 2012 Big Squeeze Champ will be crowned.
The Big Squeeze 2012 semifinals for up-and-coming musicians was held in Austin at The Bob Bullock Texas State History Museum on Saturday, April 28. This was the third consecutive year that The Big Squeeze contest has been held at the popular museum that tells “the story of Texas.” Semifinalists performed before a panel of judges and the public on the Lone Star Plaza in front of the museum, Saturday, April 28, from 2:00-5:30 p.m. A free concert was also held on the Plaza. Joe Nick Patoski emceed this year’s contest and performance. The program featured Joel Guzman, two-time Grammy Award winner and considered one of the best accordion players in the country; Ruben Paul Moreno, zydeco phenom who has just been nominated for the 2012 Zydeco Music Awards; and last year’s Big Squeeze Champ Ignacio “Nachito” Morales.
Each semifinalist played two songs and the esteemed judges chose the four finalists. The judges for this year’s contest included Debra Peters, Austin accordion player and teacher; Abel Barajas, accordion player for Ram Herrera; and Johnny Ramirez, 2008 Big Squeeze Champ. Finalists will be awarded $300 each as well as having their hotel stay paid in Houston to compete before the expected large, enthusiastic audience of accordion fans at the Accordion Kings & Queens Festival on June 2. At that time, The Big Squeeze 2012 Champion will be selected by the panel of judges with help from the audience. The grand-prize-winner will receive a prize package valued at $4500, including a $1000 cash prize, a brand new Hohner accordion and recording time at the historic Hacienda Records in Corpus Christi, as well as promotional support from SugarHill Recording Studios, Hohner, Inc., Hacienda Records and Texas Folklife, and other professional opportunities.
”The Big Squeeze has proven to be one of our most popular programs at Texas Folklife,” says Executive Director Cristina Ballí. “Audiences love to hear young talent from all over the state and they love to hear their stories. The participants and their families take a wonderful experience with them that they’ll never forget. We are grateful to The Bob Bullock Texas State History Museum for partnering with us again this year. We also deeply thank our incredible lineup—accordion legend and maestro Joel Guzman; Big Squeeze finalist from 2010 Ruben Paul Moreno, Reigning Big Squeeze Champ Nachito Morales—and, of course, the one and only Joe Nick Patoski. I’m also particularly grateful to our panel of judges who give so generously of their time and expertise.”
The Big Squeeze is supported by the members and Board of Texas Folklife, the City of Austin through the Cultural Arts Division, the City of Dallas Office of Cultural Affairs, the City of Houston through the Miller Theatre Advisory Board, the Houston Endowment, the Still Water Foundation, Texas Gas Service, and by a grant from the Texas Commission on the Arts. Additional support is provided by regional businesses including Hohner, Inc., SugarHill Recording Studios, Hacienda Records, FBA Design, Sign Effects and Embassy Suites Hotel in Downtown Austin.
Texas Folklife is a statewide non-profit organization dedicated to presenting and preserving the diverse cultures and living heritage of the Lone Star State. For more than 25 years, Texas Folklife has honored the authentic cultural traditions passed down within communities, explored their importance in contemporary society, and celebrated them by providing accessible and joyful arts experiences. It is located in Austin, Texas, in the SoCo neighborhood—one of the city’s vibrant commercial and arts districts.
1317 S. Congress Avenue
Austin, Texas 78704
T (512) 441-9255
F (512) 441-9222