Panhandle-Plains Museum, Canyon, Texas

Part Three of the stories behind the story of my West Texas Music drive, one of 18 drives in Texas Monthly’s Drive issue, June, 2012

CANYON is the gateway to Palo Duro Canyon, Texas’s Grand Canyon, and the home of Texas’s Smithsonian, the Pahandle-Plains Museum, which tells the stories of the people of the Panhandle, the Great Plains, and far North and near West Texas. It’s a beautiful building loaded with outstanding artifacts and recreations of dugout, Indian communities, and old western towns. One of my favorite artifacts is a painting by Georgia O’Keefe when she was a teacher at West Texas State Normal College in Canyon, now known as West Texas A&M. It illustrates that this part of Texas, not New Mexico, was where O’Keefe first fell under the influence of bright natural light.

PPM is an easy place for a curious mind to get lost in.

Unfortunately, for being such a great repository, PPM does not have a permanent music exhibit (then again, in Amarillo, just up the Interstate, there is no absolutely no formal recognition of local hero Eck Robertson, who is credited with making the very first country music record with Henry Gilliland when the Victor company released two sides they recorded, “Sallie Goodin” and “Arkansas Traveler,” in 1922).

What the PPM does have is an extensive archive including music artifacts. If a visitor plans ahead to make an appointment with archivist Warren Sticker, you can go into the stacks and see up close and personal one of Bob Wills’ fiddles (the best they’ve got in Turkey is a fiddle that belonged to Bob’s father), as well as the acoustic guitar belonging to Buddy Knox from Happy, the band leader of the Rhythm Orchids, the West Texas rock and roll and rockabilly band second only to Buddy Holly’s Crickets, famous for their big hits “Party Doll” as well as “Hula Love,” “Rock Your Baby to Sleep,” and “Think I’m Gonna Kill Myself.”

PANHANDLE- PLAINS HISTORICAL MUSUEM
CANYON Panhandle-Plains Historical Museum, 2503 4th Avenue, Canyon
806-651-2244 panhandleplains.org.
Admission $10 for adults, 9am – 6pm Mon-Sat during summer months
To see Bob Wills’ fiddle and Buddy Knox’s guitar, contact archivist Warren Sticker to set up an appointment. 806 651-2254, wstricker@pphm.wtamu.edu There is an additional $5 charge to access the research center

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Turkey, Texas Home of Bob Wills

The first stop of my West Texas Music drive, as seen in the June issue of Texas Monthly magazine (texasmonthly.com) was Turkey, Texas, home of the King of Western Swing, Bob Wills

base of the statue

Here’s the lowdown on all things Wills in Turkey:

Last April was the 41st year of Bob Wills Day, which draws some folks more than two weeks before the actual event for jam sessions. The Hotel Turkey is reserved exclusively for Texas Playboys on that weekend, according to Lorene Setliff who was manning the counter in the museum on my visit. “They come from everywhere. This morning we had people from Canada and from Delaware. They just want to enjoy the music and see how Bob lived.”

Jim Rob Wills lived poor on the 600 acre cotton farm north of town between the Big Red and Little Red rivers. He lived rich once he made it in music. He honed his people skills cutting hair and chatting up customers at Hamm’s Barber Shop.

Among the artifacts are Ann Richards’ letter recognized the Bob Wills postage stamp, a sheet of Bob Wills Texas lottery tickets, a copy of Dwight Adair’s “Faded Love: The Life and Times of Bob Wills, photos of Bob at home in Abilene in 1957 with his kids and at Wills Point in Sacramento, California where he spent the late 1940s, a fiddle that belonged to Bob’s father, and a shaving brush and scissors from Ham’s Barger Shop where Jim Rob honed his people skills, and a framed Playboy Flour sack from Red Star Milling in Wichita, Kansas.

An enlarged photo of the Texas Playboys standing at attention in front of their bus, with Bob astride a horse on one side, takes up an entire wall. Koozies, notepads, ball caps, bumper stickers, CDs and books by Townsend, Rosetta Wills, and Al Stricklin, the Playboys’ longest-serving pianist, are among the gifts for sale.
602 Lyles, 806 423 1253, 806 423-1033. 8-noon, 1-5 pm weekdays only, or by special appointment. Donations accepted.
The Gem Theater hosts the First Saturday Jamboree on the first Saturday night of every month. 217 Main St., contact Marie Cruse of Turkey Heritage Foundation 806 423-1420.
The whole town comes alive for Bob Wills Day, the last Saturday in April
For more information: www.turkeytexas.net

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Bid to honor Western swing music hits sour note in Texas Legislature

from the April 18, 2011 edition of the Dallas Morning News

Bid to honor Western swing music hits sour note in Texas Legislature Does Western swing icon Bob Wills’ work represent Texas music better than Van Cliburn’s? Or Roy Orbison’s? Or Brave Combo’s? Or Johnny Winter’s? Or…?

By KAREN BROOKS Austin Bureau kmbrooks@dallasnews.com

AUSTIN — An effort to make Western swing the official music of Texas could see miles and miles of opposition, as one Hill Country music lover finds herself in the opening stanzas of a debate over what defines “Texas music.” “When we’re talking about a symbol, we’re talking about culture and heritage and history, and something that has been long lasting,” said Paula Jungmann, a Boerne housewife who is pushing for the legislative declaration. “When I look at Western swing, that is what I see.” But while she counts no time in politics, Jungmann is discovering that elected officials and creative artist types are pages torn from the same songbook in two big ways: You never know what they’re going to do, and you’ll never get them all to agree on anything. Some musicians — and the “Beer-drinkers and Hell-raisers” who love them (thank you, ZZ Top) — are wondering whether lawmakers should be trying to define and symbolize Texas music in terms of one genre. Particularly if it leaves out Hank Williams’ pain songs, Newbury’s train songs and “Blue Eyes Crying in the Rain.” “The official sound of Texas should be Texas music in all its glorious facets,” said Texas writer Joe Nick Patoski. “No official proclamation is necessary when everybody knows we make music better than anybody else.”

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