Pleased to announce the film that I’ve been directing in association with Arts + Labor Productions has been accepted into the 2015 South By Southwest Film Festival and will screen sometime around March 17-21. The film will have its premiere screening in Austin on Thursday April 9, and its San Antonio premiere at the San Antonio Book Festival on Saturday April 11.
The story below:
Sir Doug & The Genuine Texas Cosmic Groove tells the story of Doug Sahm, the wild man musicians’ musician and unsung hero of Texas music. A country music child prodigy and teenage rhythm & blues dynamo who caused a riot at his San Antonio high school, Sahm emerged as an international rock star leading the Sir Douglas Quintet. He landed in San Francisco just in time for the Summer of Love in 1967. He returned to Texas as the cowboy hippie rocker who built a burgeoning music scene in Austin in before forming the Tex-Mex super group The Texas Tornados. A kinetic, quirky character with a solid sense of place as well as an innate wanderlust, Doug Sahm’s story is the story of Texas music.
Section: Documentary Feature
Premiere Status: World Premiere
Director: Joe Nick Patoski
Executive Producer: Louis Black, Alan Berg
Producer: Dawn Johnson,
Screenwriter: Joe Nick Patoski, Jason Wehling
Cinematographer: Yuta Yamaguchi
Editor: Cody Ground
Production Designer: Caroline Karlen
Sound Designer: Eric Friend
Additional Credits: Executive Producer: Abe Zimmerman, Associate Producer: Kristin Johansen-Berg, Associate Producer: Craig Parks, Associate Producer: Joe Bailey, Jr., Art Director: Jennymarie Jemison
Principal Cast: Doug Sahm, Shawn Sahm, Flaco Jimenez, Augie Meyers, Ernie Durawa, George Rains, Alvin Crow, Bill Bentley, Ray Benson, Spot Barnett
Film Badge, Gold Badge, Platinum Badge, Film Festival Wristband
24 Beats Per Second
Joe Nick Patoski has authored books on Willie Nelson, Selena, and Stevie Ray Vaughan, and written about Texas music for Texas Monthly and Rolling Stone. The one story he has wanted to tell most, though, is this one: the saga of Doug Sahm, the greatest musician to emerge from Texas during the 20th century.
Public Film Contact
Every Saturday nite, yours truly hosts the Texas Music Hour of Power, showcasing all kinds of Texas sounds created over the past century of recorded music. The show runs two hours because Texas spans two time zones and frankly, the music is too dang big to limit it to one hour.
You can dial it in online at www.marfapublicradio.org or use the Tune-In app, I Tunes, or the Public Radio Player app for KRTS-FM in Marfa.
If you’re in Far West Texas, you can hear the show on these fine frequencies – KRTS 93.5 FM in Marfa, KRTP 91.7 FM in Alpine, KDKY 91.5 FM in Marathon, and KXWT 91.3 in Odessa/Midland/Notrees
And do join in on our on-air discussion by subscribing to my newsfeed Joe Nick Patoski on Facebook (where my trusty assistant Dick Thompson leads the Image Wranglers posting images and providing the back stories to the music that’s playing in real time, transforming listening to radio into a visual, multimedia experience. We call it Picture Radio
Here is the Facebook link: https://www.facebook.com/joenickp
and come over the Texas Music Hour of Power page on Facebook and give us a Like while digging the Texas music we dig up to share during the rest of the week: https:www.facebook.com/TexasMusicHourofPower
Each week, the show is posted here when it airs, for your listening pleasure.
October 4’s first hour is here
and la hora numero dos – esta aqui
Here’s the first hour of the September 27 show
and the second hour
Here’s the first hour of the September 20 show
Here’s the second hour of the September 20 show
First hour of Sept 13 show
Here’s the second hour of the September 13 show
First hour of Sept 6
and here’s the second hour
Here’s the first hour of the August 30 show for your listening and dancing pleasure
la hora numero dos esta aqui
Here’s the first hour of August 23 show
and the second hour
Accordionistas! The 25th Accordion Kings and Queens is at Miller Outdoor Amphitheater in Houston this Sat nite – 6 pm, gratis! gratis! gratis! CJ Chenier and the Red Hot Louisiana Band, Rio Jordan, and tributes to Valerio Longoria, Mark Halata and Texavia, Ginny Mac, and Conteno con Los Halcones, along with winners of the Big Squeeze talent contest.
deets are at TexasFolklife.org http://www.texasfolklife.org/event/25th-annual-accordion-kings-queens-0
by Raul A. Reyes
or Abraham Quintanilla of Corpus Christi, Texas, Monday marks an emotional anniversary. It has been nineteen years since the death of his daughter, singer Selena Quintanilla Perez, known to the world simply as “Selena.” She died March 31, 1995, after being shot by the president of her fan club. Selena was 23.
Now 75 years old and the grandfather of 8, Quintanilla said it is bittersweet to meet fans of Selena, many of whom were too young to really remember the pop star who has sold over 60 million albums worldwide.
“It makes me feel good that after so many years people still remember my daughter,” he reflected. “But at the same time I would rather that she be here.”
Image: Selena Paul Howell / Houston Chronicle via AP file
Selena works on one of her songs in a Corpus Christi studio in March 1995.
Selena’s death struck a collective nerve, and the emotions have reverberated for years. When former President George W. Bush was Governor of Texas he named April 12th “Selena Day” in honor of her birthday, and there are still celebrations every year. There was a postage stamp issued in her name, and there is a Selena Museum in Corpus Christi, Texas,
Here are 6 reasons for Selena’s enduring legacy:
1. Millions of Latinos related to her bicultural life. Selena was an international singing sensation who sold out stadiums, but lived in a modest home next door to her parents. She dressed provocatively and was called “The Mexican Madonna,” yet she married her first and only boyfriend. And like so many Latinos, she navigated two cultures and managed to be comfortable in both. In fact, despite her renown as “The Queen of Tejano Music,” Selena was not a native Spanish speaker. Her Latin music career was already taking off when she decided to study Spanish, so that she could feel more confident expressing herself.
Selena’s death was a revelation to corporate America about the power of the Latino consumer market. In the aftermath of her passing, “Selena-mania” became a real phenomenon.
2. Her shocking death touched off an unprecedented outpouring of grief. Texas historian Joe Nick Patoski, author of Selena: Como la flor, recalled the day when Selena passed away. “I’m old enough to remember Dallas and JFK,” he said, “and it seemed like the same thing all over again. For Mexican-Americans in Texas, the reaction was intense and deeply personal. To this day, an entire generation remembers where they were when they heard the news.” In cities like San Antonio and Corpus Christi, Patoski said, impromptu shrines, memorials and vigils for Selena sprang up. He describes the public reaction to her passing as “amazing, heartfelt, and profound.” The Associated Press reported that after her death, there was a rise in newborns in Texas being named Selena; pop singer Selena Gomez, born in 1992, was also named for Selena.
Image: Selena Jeff Haynes / AFP-Getty Images file
Estella Leak wipes away tears during a memorial tribute for the slain Grammy-winning pop star Selena on April 2, 1995 at the Los Angeles Sports Arena.
3. Selena’s death was a revelation to corporate America about the power of the Latino consumer market. In the aftermath of her passing, “Selena-mania” became a real phenomenon. A special edition of People Magazine devoted to Selena sold out immediately (its success led to the creation of People en Español). According to Deborah Paredez, author of “Selenidad: Selena, Latinos, and the Performance of Memory,” Selena changed the way marketers looked at Latinos. “Her death served as a cue to the larger culture that Latinos were becoming more visible, more important,” she said. “Selena spurred the growth of the Hispanic market. Our culture became a hot commodity.”
4. Selena had broad appeal among Latinos and non-Latinos. Her fusion of musical genres won her a wide and enduring fan base. “A range of Latinos really connected with her,” Paredez said. “She drew from pop, Tejano, calypso, Afro-Caribbean, and cumbia music, so she signaled across a lot of cultural identities.” What’s more, Selena posthumously achieved her dream of mainstream success. Her album, Dreaming of You (1995), became the fastest-selling album by a female artist in pop history. The Hollywood film about her life (1997), gave Jennifer Lopez the breakout role that made her a star. In addition, there have been books, a record-breaking tribute concert, two stage musicals, a national search for “Selena’s Double,” and innumerable TV profiles. Selena’s husband, 44-year-old Chris Perez, said that even he was surprised by the success of his 2012 book, To Selena, With Love. “Our signings have been super-packed, and the fans have been great,” said Perez.
5. Selena’s loved ones have kept her memory alive. Her father is running Q-Productions, a management company and recording studio. Brother “A.B.” Quintanilla is a music producer. Selena’s husband Chris Perez, who won a 1999 Grammy Award for his album Resurrection, is working on songwriting and an upcoming solo project, and staying in touch with fans through his Facebook page.
“There haven’t been enough people like her in the Latino community,” said author Paredez,” so people continue to turn to her, to commemorate her.”
6. Selena the performer became Selena the “icon.” Like other celebrities who passed away too soon, from Marilyn Monroe to John Lennon, Selena has become larger than life, almost legendary. Historian Patoski notes, “In our memory, she will always be young, she will always be full of promise.” Meanwhile, public fascination with Selena continues because Hispanics, even the younger generations, still claim her as their own. “There haven’t been enough people like her in the Latino community,” said author Paredez,” so people continue to turn to her, to commemorate her.”
Selena’s husband Chris Perez said it is easy to understand why he – as well as so many fans – miss her. “I haven’t met anybody like her,” he said. “She was definitely one of a kind.”
First published March 31st 2014, 5:08 am
Raul A. Reyes is an attorney and member of the USA Today Board of Contributors.
A pioneer of the Austin music community, Doug Sahm was the master of so many authentically “Texas” sounds — western, Tex-Mex, rock ‘n’ roll — that live on in the music of the Texas Tornados and the Sir Douglas Quintet.
Though he passed away in 1999, Sahm’s influence is weaved into Austin music culture. Next week, KUT (along with a few choice friends) hopes to preserve that influence for generations to come.
“His story is the story of Texas music — no individual could play Texas’s indigenous sounds so skillfully and authentically,” says Joe Nick Patoski
On Monday, November 18, the Cactus Cafe will host a special edition of Views and Brews titled “Doug Sahm: All About the Groove.” Hosted by Jody Denberg, the celebration of Sahm will include local music royalty Marcia Ball, Speedy Sparks (Sahm’s guitar player) and Ernie Durawa (drummer for the Texas Tornados), as well as noted Texas writer and historian Joe Nick Patoski.
The event takes place on the 14th anniversary of Sahm’s death and will explore Austin music in the early 1970s, as well as Sahm’s influence on the local scene’s becoming nationally — and internationally — recognized. Panelists hope to celebrate a true Austin stalwart, opening the eyes — and ears — of younger generations to a soulful sound that still plays an important part in our modern culture.
(If you want proof, just wander down the block to Hole in the Wall, where Sir Doug’s music is immortalized in the jukebox.)
“For me, Doug is one of the touchstones of Texas music and one of the early founders of Austin’s vibrant music community. He’s a major reason I moved here in the early ’70s,” says Joe Nick Patoski.
“It’s time to let folks who have no idea who this Sahm character was/is appreciate one of the most beautiful cats to have graced a stage in Austin.”
“His story is the story of Texas music — no individual could play Texas’ indigenous sounds (country-western, western swing, rhythm and blues, jump blues, conjunto and rock ‘n’ roll) so skillfully and authentically. At the same time, he represented my generation of Texans, who thought differently and outside the box [and] who had to come to Austin to find our place.”
During the event, Patoski will premiere the sizzle reel of a proposed documentary about Sahm. “Jan Reid wrote a fine biography of Doug. The world doesn’t need another Doug book,” he says. “Printed words are great, but for those of us who knew Doug, there’s really no better way to tell his story than with his music, his voice and the voices of others who worked and played with him. In other words, on film.”
If the reel does its part, Patoski plans to secure funding and have a full documentary finished in time for SXSW 2015. “[Fourteen] years after his passing,” says Patoski, “it’s time to let folks who have no idea who this Sahm character was/is appreciate one of the most beautiful cats to have graced a stage in Austin.”
Views and Brews takes place at the Cactus Cafe on Monday, November 18. Doors open at 6:30 pm, and the event runs 7 pm – 8:30 pm. Entry is free, but donations are accepted.
Come on out to the Cactus Cafe on the University of Texas campus on Monday evening, November 18 for a Views and Brews discussion about Doug Sahm, the original Austin groover moderated by Jody Denberg of KUTX and featuring Marcia Ball, Ernie Durawa, and Speedy Sparks in a panel discussion, along with a screening of a four minute sizzler reel of a proposed film documentary directed by Joe Nick Patoski. Doors 6:30, show at 7
Doors 6:30 showtime 7 pm
I put together an hour’s worth of Willie music and small talk for Marfa Public Radio.
Willie’s benefit concert in Alpine in 2004 was instrumental in putting the station, KRTS, the smallest of all National Public Radio affiliates, on the air.
Or, link to upload here
Yep, Joe Nick’s Texas Music Hour of Power has gone weekly, and we’ve been stretching to two hours now, 6-8 pm central, every Saturday night.
You can listen online via MarfaPublicRadio.org
or in Far West Texas, on KRTS, 93.5 FM in Marfa, KRTP, 91.7 in Alpine, KDKY, 91.5 FM in Marathon, and on KXWT, The Big X Across West Texas on 91.3, Odessa-Midland.
Requests or comments? e me at Texas@MarfaPublicRadio.org
Here’s the first hour of the Jan 4 show for your personal listening pleasure
and the second hour