5 to 8 pm in front of KRTS in Marfa
Calling all Image Wranglers!!
gratis, gratis, gratis
Every Saturday nite, yours truly hosts the Texas Music Hour of Power, showcasing all kinds of Texas sounds created over the past century of recorded music. The show runs two hours because Texas spans two time zones and frankly, the music is too dang big to limit it to one hour.
You can dial it in online at www.marfapublicradio.org or use the Tune-In app, I Tunes, or the Public Radio Player app for KRTS-FM in Marfa.
If you’re in Far West Texas, you can hear the show on these fine frequencies – KRTS 93.5 FM in Marfa, KRTP 91.7 FM in Alpine, KDKY 91.5 FM in Marathon, and KXWT 91.3 in Odessa/Midland/Notrees
And do join in on our on-air discussion by subscribing to my newsfeed Joe Nick Patoski on Facebook (where my trusty assistant Dick Thompson leads the Image Wranglers posting images and providing the back stories to the music that’s playing in real time, transforming listening to radio into a visual, multimedia experience. We call it Picture Radio
Here is the Facebook link: https://www.facebook.com/joenickp
and come over the Texas Music Hour of Power page on Facebook and give us a Like while digging the Texas music we dig up to share during the rest of the week: https:www.facebook.com/TexasMusicHourofPower
Each week, the show is posted here when it airs, for your listening pleasure.
October 4’s first hour is here
and la hora numero dos – esta aqui
Here’s the first hour of the September 27 show
and the second hour
Here’s the first hour of the September 20 show
Here’s the second hour of the September 20 show
First hour of Sept 13 show
Here’s the second hour of the September 13 show
First hour of Sept 6
and here’s the second hour
Here’s the first hour of the August 30 show for your listening and dancing pleasure
la hora numero dos esta aqui
Here’s the first hour of August 23 show
and the second hour
Accordionistas! The 25th Accordion Kings and Queens is at Miller Outdoor Amphitheater in Houston this Sat nite – 6 pm, gratis! gratis! gratis! CJ Chenier and the Red Hot Louisiana Band, Rio Jordan, and tributes to Valerio Longoria, Mark Halata and Texavia, Ginny Mac, and Conteno con Los Halcones, along with winners of the Big Squeeze talent contest.
deets are at TexasFolklife.org http://www.texasfolklife.org/event/25th-annual-accordion-kings-queens-0
by Raul A. Reyes
or Abraham Quintanilla of Corpus Christi, Texas, Monday marks an emotional anniversary. It has been nineteen years since the death of his daughter, singer Selena Quintanilla Perez, known to the world simply as “Selena.” She died March 31, 1995, after being shot by the president of her fan club. Selena was 23.
Now 75 years old and the grandfather of 8, Quintanilla said it is bittersweet to meet fans of Selena, many of whom were too young to really remember the pop star who has sold over 60 million albums worldwide.
“It makes me feel good that after so many years people still remember my daughter,” he reflected. “But at the same time I would rather that she be here.”
Image: Selena Paul Howell / Houston Chronicle via AP file
Selena works on one of her songs in a Corpus Christi studio in March 1995.
Selena’s death struck a collective nerve, and the emotions have reverberated for years. When former President George W. Bush was Governor of Texas he named April 12th “Selena Day” in honor of her birthday, and there are still celebrations every year. There was a postage stamp issued in her name, and there is a Selena Museum in Corpus Christi, Texas,
Here are 6 reasons for Selena’s enduring legacy:
1. Millions of Latinos related to her bicultural life. Selena was an international singing sensation who sold out stadiums, but lived in a modest home next door to her parents. She dressed provocatively and was called “The Mexican Madonna,” yet she married her first and only boyfriend. And like so many Latinos, she navigated two cultures and managed to be comfortable in both. In fact, despite her renown as “The Queen of Tejano Music,” Selena was not a native Spanish speaker. Her Latin music career was already taking off when she decided to study Spanish, so that she could feel more confident expressing herself.
Selena’s death was a revelation to corporate America about the power of the Latino consumer market. In the aftermath of her passing, “Selena-mania” became a real phenomenon.
2. Her shocking death touched off an unprecedented outpouring of grief. Texas historian Joe Nick Patoski, author of Selena: Como la flor, recalled the day when Selena passed away. “I’m old enough to remember Dallas and JFK,” he said, “and it seemed like the same thing all over again. For Mexican-Americans in Texas, the reaction was intense and deeply personal. To this day, an entire generation remembers where they were when they heard the news.” In cities like San Antonio and Corpus Christi, Patoski said, impromptu shrines, memorials and vigils for Selena sprang up. He describes the public reaction to her passing as “amazing, heartfelt, and profound.” The Associated Press reported that after her death, there was a rise in newborns in Texas being named Selena; pop singer Selena Gomez, born in 1992, was also named for Selena.
Image: Selena Jeff Haynes / AFP-Getty Images file
Estella Leak wipes away tears during a memorial tribute for the slain Grammy-winning pop star Selena on April 2, 1995 at the Los Angeles Sports Arena.
3. Selena’s death was a revelation to corporate America about the power of the Latino consumer market. In the aftermath of her passing, “Selena-mania” became a real phenomenon. A special edition of People Magazine devoted to Selena sold out immediately (its success led to the creation of People en Español). According to Deborah Paredez, author of “Selenidad: Selena, Latinos, and the Performance of Memory,” Selena changed the way marketers looked at Latinos. “Her death served as a cue to the larger culture that Latinos were becoming more visible, more important,” she said. “Selena spurred the growth of the Hispanic market. Our culture became a hot commodity.”
4. Selena had broad appeal among Latinos and non-Latinos. Her fusion of musical genres won her a wide and enduring fan base. “A range of Latinos really connected with her,” Paredez said. “She drew from pop, Tejano, calypso, Afro-Caribbean, and cumbia music, so she signaled across a lot of cultural identities.” What’s more, Selena posthumously achieved her dream of mainstream success. Her album, Dreaming of You (1995), became the fastest-selling album by a female artist in pop history. The Hollywood film about her life (1997), gave Jennifer Lopez the breakout role that made her a star. In addition, there have been books, a record-breaking tribute concert, two stage musicals, a national search for “Selena’s Double,” and innumerable TV profiles. Selena’s husband, 44-year-old Chris Perez, said that even he was surprised by the success of his 2012 book, To Selena, With Love. “Our signings have been super-packed, and the fans have been great,” said Perez.
5. Selena’s loved ones have kept her memory alive. Her father is running Q-Productions, a management company and recording studio. Brother “A.B.” Quintanilla is a music producer. Selena’s husband Chris Perez, who won a 1999 Grammy Award for his album Resurrection, is working on songwriting and an upcoming solo project, and staying in touch with fans through his Facebook page.
“There haven’t been enough people like her in the Latino community,” said author Paredez,” so people continue to turn to her, to commemorate her.”
6. Selena the performer became Selena the “icon.” Like other celebrities who passed away too soon, from Marilyn Monroe to John Lennon, Selena has become larger than life, almost legendary. Historian Patoski notes, “In our memory, she will always be young, she will always be full of promise.” Meanwhile, public fascination with Selena continues because Hispanics, even the younger generations, still claim her as their own. “There haven’t been enough people like her in the Latino community,” said author Paredez,” so people continue to turn to her, to commemorate her.”
Selena’s husband Chris Perez said it is easy to understand why he – as well as so many fans – miss her. “I haven’t met anybody like her,” he said. “She was definitely one of a kind.”
First published March 31st 2014, 5:08 am
Raul A. Reyes is an attorney and member of the USA Today Board of Contributors.
Yep, Joe Nick’s Texas Music Hour of Power has gone weekly, and we’ve been stretching to two hours now, 6-8 pm central, every Saturday night.
You can listen online via MarfaPublicRadio.org
or in Far West Texas, on KRTS, 93.5 FM in Marfa, KRTP, 91.7 in Alpine, KDKY, 91.5 FM in Marathon, and on KXWT, The Big X Across West Texas on 91.3, Odessa-Midland.
Requests or comments? e me at Texas@MarfaPublicRadio.org
Here’s the first hour of the Jan 4 show for your personal listening pleasure
and the second hour
Join me on Overheard with Evan Smith on Thursday night, Oct 11, 7 pm, on KLRU TV Channel 18 in Austin and other PBS stations across the nation. Or just click on klru.org/overheard/ to watch the complete broadcast and the audience Q and A afterward.
On to Houston, and Miller Outdoor Amphitheater on June 2 for the Big Squeeze finals and the Texas Accordion Kings and Queens concert.
The wrap: TEXAS FOLKLIFE’S BIG SQUEEZE ACCORDION CONTEST FINALISTS ANNOUNCED
Free Concert and Playoffs held at The Bob Bullock Texas State History Museum Saturday, April 28
Finalists will perform at 23rd annual Accordion Kings & Queens Festival held on Saturday, June 2 at Houston’s Miller Outdoor Theatre
Austin, Texas – April 30, 2012 – There was a whole lot of squeezeboxing going on last Saturday on the Lone Star Plaza at the Bullock! There were over 700 music fans in attendance—the largest crowd on record for the semifinals contest—to cheer this year’s winners as they were selected. The Big Squeeze 2012 finalists are: Peter Anzaldua, 15, of Brownsville; Omar Garza, 17, of Mission; Luis Gonzales, 16, of Grand Prairie; and Michael Ramos, 16, of Dallas. These young musicians will perform at the Accordion Kings & Queens Festival in June when the 2012 Big Squeeze Champ will be crowned.
The Big Squeeze 2012 semifinals for up-and-coming musicians was held in Austin at The Bob Bullock Texas State History Museum on Saturday, April 28. This was the third consecutive year that The Big Squeeze contest has been held at the popular museum that tells “the story of Texas.” Semifinalists performed before a panel of judges and the public on the Lone Star Plaza in front of the museum, Saturday, April 28, from 2:00-5:30 p.m. A free concert was also held on the Plaza. Joe Nick Patoski emceed this year’s contest and performance. The program featured Joel Guzman, two-time Grammy Award winner and considered one of the best accordion players in the country; Ruben Paul Moreno, zydeco phenom who has just been nominated for the 2012 Zydeco Music Awards; and last year’s Big Squeeze Champ Ignacio “Nachito” Morales.
Each semifinalist played two songs and the esteemed judges chose the four finalists. The judges for this year’s contest included Debra Peters, Austin accordion player and teacher; Abel Barajas, accordion player for Ram Herrera; and Johnny Ramirez, 2008 Big Squeeze Champ. Finalists will be awarded $300 each as well as having their hotel stay paid in Houston to compete before the expected large, enthusiastic audience of accordion fans at the Accordion Kings & Queens Festival on June 2. At that time, The Big Squeeze 2012 Champion will be selected by the panel of judges with help from the audience. The grand-prize-winner will receive a prize package valued at $4500, including a $1000 cash prize, a brand new Hohner accordion and recording time at the historic Hacienda Records in Corpus Christi, as well as promotional support from SugarHill Recording Studios, Hohner, Inc., Hacienda Records and Texas Folklife, and other professional opportunities.
”The Big Squeeze has proven to be one of our most popular programs at Texas Folklife,” says Executive Director Cristina Ballí. “Audiences love to hear young talent from all over the state and they love to hear their stories. The participants and their families take a wonderful experience with them that they’ll never forget. We are grateful to The Bob Bullock Texas State History Museum for partnering with us again this year. We also deeply thank our incredible lineup—accordion legend and maestro Joel Guzman; Big Squeeze finalist from 2010 Ruben Paul Moreno, Reigning Big Squeeze Champ Nachito Morales—and, of course, the one and only Joe Nick Patoski. I’m also particularly grateful to our panel of judges who give so generously of their time and expertise.”
The Big Squeeze is supported by the members and Board of Texas Folklife, the City of Austin through the Cultural Arts Division, the City of Dallas Office of Cultural Affairs, the City of Houston through the Miller Theatre Advisory Board, the Houston Endowment, the Still Water Foundation, Texas Gas Service, and by a grant from the Texas Commission on the Arts. Additional support is provided by regional businesses including Hohner, Inc., SugarHill Recording Studios, Hacienda Records, FBA Design, Sign Effects and Embassy Suites Hotel in Downtown Austin.
Texas Folklife is a statewide non-profit organization dedicated to presenting and preserving the diverse cultures and living heritage of the Lone Star State. For more than 25 years, Texas Folklife has honored the authentic cultural traditions passed down within communities, explored their importance in contemporary society, and celebrated them by providing accessible and joyful arts experiences. It is located in Austin, Texas, in the SoCo neighborhood—one of the city’s vibrant commercial and arts districts.
1317 S. Congress Avenue
Austin, Texas 78704
T (512) 441-9255
F (512) 441-9222