Stay All Night

Stay All Night – Buddy Holly’s Country Roots

Stay All NightWest Texas Roots
BY JOE NICK PATOSKI
July 2004

Buddy Holly took the world by storm when he broke out of Lubbock, Texas in 1957. His singing and playing was the freshest version of rock and roll to come down the line. It was as if his music had come out of a vacuum from somewhere in the middle of the proverbial nowhere. But locals knew better. Before there was Buddy Holly, the all-American rock and roll hero, there was Buddy Holly, the good ol’ boy from the Hub City of the south plains know for his style of Western Bop. That was a nice way of saying that the hormone-addled nitro-fueled teenager played western, honky tonk, and western swing music with way too much energy and enthusiasm to pigeonhole him as plain old country. Countless hours of picking and singing went into polishing, honing, and embellishing his sound that would later become an international sensation.

Stay All Night – Buddy Holly’s Country Roots is the first historical accounting of how Holly got where he did, performed by those who knew Holly best: Buddy’s bandmates; Tommy Allsup, Carl Bunch, and Larry Welborn, and Buddy’s earliest professional collaborator Jack Neal. They are joined by the Texas Playboys, that swinging big band led by Bob Wills from down the road in Turkey, Texas. Adding to the account are Buddy’s brothers and mentors, Larry and Travis Holley, and his contemporaries Al Perkins and Billy Grammer. Featured also are a new generation of stars from Lubbock – the Flatlanders; Joe Ely, Jimmie Dale Gilmore and Butch Hancock; and some Holly disciples from far beyond Lubbock including Robert Reynolds from the Mavericks, and blues masters Judy Luis-Watson and Paul Watson. Together these players weave the cultural heritage of West Texas through the thread of this music. Each and every song is an old familiar tune for those who grew up in Buddy Holly’s place and time. Some are jukebox standards, others dancehall favorites. A few drifted in on static airwaves from faraway radio stations in Shreveport and Nashville. Two are previously unreleased tracks by Buddy Holly and Jack Neal as performed for their radio show on Lubbock station KDAV. Each and every track tells a piece of the story about how the torch was passed to the kid with horn-rimmed glasses, and how that torch has been passed on to others.

Stay All Night is more than the name of a song. It’s more than an album title for a collection of soulful, heartfelt songs that could have been made nowhere but Texas.

Stay All Night is a celebration of a talent like no one before or since, the talent that nourished Buddy, and the talent he’s inspired since, from Lubbock, Texas to the entire planet.

[More About West Texas Roots]


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The Ride – Los Lobos

The Ride – Los Lobos

Los Lobos - The RideHarp Magazine
BY JOE NICK PATOSKI
September/October 2004

When it comes to defining American music over the past quarter century, no band comes close to Los Lobos. It would be understandable, given their long track record, if they slacked off now and then, as The Ride’s lengthy lineup of guest artists including Cafe Tacuba, Bobby Womack, Ruben Blades, Tom Waits, Elvis Costello, Richard Thompson, Mavis Staples and Garth Hudson seems to suggest. (What? Rob Thomas wasn’t available?). But fears of sliding into complacency are alleviated from the first throaty honk of Steve Berlin’s bari sax on "La Venganza de Los Pelados," the opening track on which Los Lobos flash their Mexicanismo credentials all the way through the last note of "Chains of Love." Sure the guests gussy up the proceedings, particularly Elvis’ turn on "Matter of Time" and Mavis Staples’ soaring vocals on "Someday." But it’s tracks like "Rita"√Ďall atmosphere, introspection, with no outside help whatsoever-that make this more than just another album from just another band from East L.A.. With Los Lobos in charge, music doesn’t get any better than this in these United States.

[Los Lobos] [Hollywood Records] [Harp Magazine]


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Hotwalker – Tom Russell

Hotwalker – Tom Russell

Tom Russell - HotwalkerHarp Magazine
BY JOE NICK PATOSKI
May 2005

Outsider art commands bully pulpit "I’m a frustrated writer," Tom Russell confessed to me a couple years ago. He finally did something about it, using his bully pulpit as a singer-songwriter to explain to listeners about the country, blues, folk, jazz and gospel he was exposed to growing up in Los Angeles and later in New York and how outsiders, notably the poet Charles Bukowski and the circus performer and poet Little Jack Horton, influenced him and his music. Hotwalker is hardly an album in the traditional sense but rather a pastiche of spoken-word readings-including the voices of Russell, Horton, Bukowski, Jack Kerouac, Edward Abbey, Ramblin’ Jack Elliot, Harry Partch, the Reverend Baybie Hoover, Virginia Brown and Lenny Bruce-and atmospheric background music elegantly articulated by Russell’s guitarist sidekick Andrew Hardin, with a few songs sprinkled in between. From the background circus calliope accompanying Horton’s colorful pronouncements (his telling of Bukowski and him driving a locomotive engine is hilarious) to descriptions of Dave Van Ronk’s apartment by Sheridan Square to his primitive paintings that decorate the CD, Hotwalker digs deep into the spirit of Outsider Art as expressed on canvas, as poetry, in books or as a record.

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[Tom Russell] [HighTone] [Harp Magazine]


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