. Watching the broadcast from backstage was fascinating. Being part of it was beyond fun.
So I was in Houston Friday night, talking the Dallas Cowboys at Brazos Bookstore and spinning vinyl at Leon’s Lounge, as well as hanging with my friends William Michael Smith of the Houston Press and Jack Massing of The Art Guys and sword-fighting with Max Massing. I’d noticed my old player-coach of the Jack’s Auto Repair All-Stars of the Twin Cities Cultural Arts Softball League, Garrison Keillor, was hosting A Prairie Home Companion at the Wortham Opera House in Houston on Saturday. I sent an email to the show and Friday afternoon received an email from Garrison. Long and short of it, and unbeknown to me until about 10 minutes before airtime, I had the pleasure of enjoying a few minutes of conversation with Garrison on his show, which is during the third segment.
I love radio and this program is the best of what radio is
Here’s a link to the broadcast.
Join me on Overheard with Evan Smith on Thursday night, Oct 11, 7 pm, on KLRU TV Channel 18 in Austin and other PBS stations across the nation. Or just click on klru.org/overheard/ to watch the complete broadcast and the audience Q and A afterward.
Here’s the link: www.klru.org/overheard/episode/joe-nick-patoski/
The October issue of Texas Monthly magazine features the Regime Change chapter from the book The Dallas Cowboys: The Outrageous History of the Biggest, Loudest, Most Hated, Best Loved Football Team in America.
Last part of the stories behind the story of my West Texas Music drive, one of 16 drives featured in the June 2012 Texas Monthly Drive issue.
Today, we conclude where it all started, at least for the teenagers known as Buddy Holly and the Crickets.
The Hub City is the largest city in all the Great Plains, and home to Texas Tech University. But for all its assets, the city’s contribution to rock and roll is the one that continues to resonate around the world, even if some of the locals are still uncomfortable with the social implications the music wrought.
THE BUDDY HOLLY CENTER is Lubbock’s all-purpose museum with art exhibitions and traveling exhibits, and music on the patio during summer months. The main attraction, of course, is Buddy Holly, whose life is celebrated in the Buddy Holly Gallery, a permanent exhibit at the center with a $5 admission fee.
Showcases are devoted to Buddy’s childhood with his leatherwork, Cub Scout uniform, and drawings of cowboys and horses, and self-portrait in pencil, and his personal record collection, which includes The Midnighters’ “Sexy Ways” and Larry Williams’ “Slow Down;” his early influences; his rapid rise; Petty’s studio; and to the Crickets.
The Gallery features the writing of Robert Palmer from the Rolling Stone Illustrated History of Rock and Roll, a music timeline from 1929 to 1959, and a touch screen It’s So Easy trivia quiz prepared by the late Bill Griggs, the World’s #1 Buddy fan. It isn’t as easy as Griggs would have you believe.
Sample question: Buddy had a pet cat named Booker T and a pet dog named
b) Reddy Teddy
c) Alonzo, the correct answer
As Holly’s renown grew, his glasses got bigger, although the pair he died with, which are on display, were classic black horn-rimmed frames.
There’s a 15 minute film where Paul McCartney makes clear the Beatles’ biggest influence were the Crickets, Keith Richard discusses the Holly sound, Don McLean discusses “American Pie,” his song about the plane crash that killed Holly, Richie Valens, and the Big Bopper, J.I. Allison demonstrates rhythm, and Vi Petty plays Celeste. Gallery admission: $5
An adjacent room with no admission fee is the West Texas Hall of Fame loaded with great casual photos of Holly and Jennings, along with a special shoutout to Bill Griggs, the world’s #1 Holly fan who spent the last years of his life in Lubbock by choice. The Ivy West Texas Music Map illustrated by John Chinn in the center’s hallway shows all the talent who came out of the region. 1801 Crickets Avenue @ 19 th St., 806 767-2686, buddyhollycenter.org
Directly across from the center is the West Texas Walk of Fame, honoring entertainment celebrities from the region (hey, y’all, where’s Natalie Maines?) whose centerpiece is a life-sized statue of Buddy Holly brandishing a guitar.
THE CACTUS THEATER, a block from the Buddy Holly Center, is Don Caldwell’s musical labor of love and the linchpin of the Depot Entertainment District. The Cactus presents live music and musical performances most weekends and many weeknights. The Buddy Holly Story musical has enjoyed several extended runs in this lovingly restored 30s vintage venue.
1812 Buddy Holly Ave. @ 19th, 806 762 3233 cactustheater.com
KDAV AM 1590, one of the coolest oldies radio stations anywhere, welcomes visitors to step inside the radio station and see the disc jockeys in action up close and personal. The station bills itself as the Buddy Holly station, and I gotta say, there’s something about hearing “That’ll Be the Day” crackling over the AM radio while cruising Lubbock’s wide streets that make everything seem right in the world.
1714 Buddy Holly Ave., 806 744 5859 kdav.org/kdav
LUBBOCK HIGH SCHOOL is Buddy Holly and the Crickets’ alma mater as well as the most significant architectural structure in the city. The red-tile roofed, sand brick high school is between downtown and the Tech campus on
2004 West 19th @ Avenue D, 806 766 1444. Call the administration office in advance to request a hall pass to view the Buddy Holly showcase in the hallway
STUBB’S BARBECUE is where folks like Joe Ely, Butch Hancock, Jimmie Dale Gilmore, Terry Allen and the rest of the Lubbock mob played back in the 1970s before all of them, Stubbs included, moved away. The Stubbs barbecue sauce legend started here as did some storied events such as Jesse Taylor’s Sunday Night Jam and the night when Tom T. Hall played pool with Joe Ely using an onion as the cue ball. Underneath the statue of Stubbs in overalls holding a heaping plate of ribs is a small plaque that reads “There will be no bad talk or loud talk in this place” – Mr. Stubblefield’s mantra that was written on his menus and posted throughout his joint. Having enjoyed the establishment in its heyday, it’s startling to see how small the building footprint is today. 108 E. Broadway http://stubbsbbq.com/started.php
Continue on East Broadway to MLK, turn right and continue to Teak and follow the signs to the Lubbock cemetery and the final resting place of Buddy Holly. The simple gravesite is plainly marked. Tradition mandates you leave a guitar pick on the flat headstone. The earth from which Holly sprang from and to which he returned may look hard and desolate, but it’s fertile soil for music makers who sound like Texas.
Part four of the stories behind the story of my West Texas Music drive, one of 18 drives featured in Texas Monthly magazine’s Drive issue, June 2012.
Clovis may be across the line in New Mexico but for all practical purposes it could just as well be the other side of Lubbock or Amarillo. It’s a classic western city, defined by railroad lines but laid out for automobiles. The boulevards are spacious and wide, ideal for cruising.
Clovis native Norman Petty started building his recording studio in 1948 in order to record his own mellow music group, the Norman Petty Trio, featuring his wife Vi on vocals. But when Buddy Holly and the Crickets showed up in 1958, Vi and Norm’s own recording dreams took a back seat to the hot rock and roll band from Lubbock. Soon, Buddy Knox and the Rhythm Orchids (“Party Doll”), the Fireballs (“Bottle of Wine”, “Sugar Shack”), the Stringalongs (“Wheels”), Roy Orbison and the Teen Kings (“An Empty Cup and a Broken Date”, “Tryin’ To Get to You”, “Ooby Dooby”), and the Nighthawks (“When Sin Stops”), and Waylon Jennings (“Jole Blon”) joined the Crickets in making the pilgrimage to Clovis. where 12 Top Ten hits were recorded in 15 months.
The sound he created is associated with West Texas rock and roll, wide open, with plenty of space, drenched in echo – part and parcel of the Petty touch.
Since Petty’s death in 1988, the studio has been frozen in time.
The original chair in the control room is perfectly sited between the original Lansing/Altec speakers, which Petty suspended from the ceiling as he did the air-suspended equalizer, all the better to hear “Peggy Sue” and other hit records recorded in the studio. Ken Broad attributes the success of the room to its design (“No flat walls in the studio. They’re cylindrical.”) and to Petty’s perfect pitch.
Shirley Broad plays the celeste keyboard that provided the hook to Holly’s “Every Day” on request and Dean will fire up the Solavox organ that Petty added to “Sugar Shack” after the Fireballs left the studio. If you’re lucky, David Bigham will come along – he’s one of the Roses singing group that backed up the rock and rollers on their recordings after Bigham came to Clovis as one of the Teen Kings, Roy Orbison’s band, after Roy, dissatisfied with his first recordings made at Sun Studios in Memphis, sought out Petty. Petty liked the Roses backing vocals and recruited them to come to Clovis and record for him.
The apartment in the back of the studio was built by Petty for the Crickets, so they could stay and record as long as they wanted. The living area features some innovative designs (eg. a bookshelf built into the fireplace) and zoomy features that capture the essence of 50s moderne.
There’s even an early microwave Petty bought for the apartment. Between the recording studio, the apartment and the home he designed for Vi and him, it’s obvious this eastern New Mexico native was some kind of visionary.
1313 West 7th, to book a tour, contact Ken Broad 575 760 2157/356 6422 Donations requested. I dropped a twenty.
FOXY DRIVE-IN, six blocks from the Petty studio, is a classic 50s establishment with curb service where Holly and his band used to order taquitas, rolled and fried little flautas, now 85 cents each, whenever they were recording. Burgers are pretty great too, with curb service, natch.
720 West 7th @ Thornton, 575 763-7995
NORMAN AND VI PETTY ROCK & ROLL MUSEUM takes the macro view of Norman Petty’s influence on West Texas music in a soda shop/jukebox kind of setting in the basement of the chamber of commerce building. The nine foot Stratocaster and the half circle of piano keys out front mark the spot. Norm and Vi’s private life, Norman’s recording technique (his original mixing board is here), his relationship with Buddy Holly and the Crickets, and the other bands that flocked to the studio for the magic sound are all showcased, with great photographs of the lesser-known acts. 105 East Grand @ Main Street, 800 261 7656 Hours: 8-noon, 1-5 weekdays, weekends by appointment only. Pettymuseum.org $5 admission
The sound that came out of the Biggest Little Music City in the Whole World is celebrated at the Clovis Music Festival the first weekend of every September
Part five of the stories behind the story of my West Texas Music drive, one of 18 drives featured in Texas Monthly’s Drive issue, June 2012
Driving highway 84 from Clovis, thoughts turned to the Crickets’ old game of Beat the Clock – pounding the hundred miles of two-lane blacktop from Lubbock to Clovis in less than hour, so they could arrive before they left, courtesy of changing time zones from Central to Mountain. For the life of me, I can’t imagine anyone pulling it off, especially making it through Muleshoe unscathed. In case local teenagers still try this trick, I was glad the highway was four-lane mostly-divided highway now. This stretch is mostly irrigated farmland – cotton and soybeans, mostly – evidenced by the giant sprinkler systems that bring water from the Ogallala Aquifer deep below the ground to feed the crops, with grain elevators, water towers, and stadium lights rising from the flat horizon.
Then there’s the billboard, bigger than life. The next town may look like all the other towns from the road, but the large sign suggests different – Littlefield is hometown of Waylon Jennings, Buddy Holly protege, Nashville Rebel, Willie Nelson partner, Country music outlaw, the baddest of the badasses.
How can one not turn and follow directions to Waylon Jennings Boulevard, leading to one of the coolest, most unusual music museums in the world?
Waymore’s was James Jennings’ Exxon service station for “30 some odd years” before he switched from gas to booze in 2008 and started adding display cases of Waylon memorabilia. W’s first guitar, letters to his family, and the handwritten backstage pass for his mother and father would have been the highlights if James hadn’t shown up. The engaging, self-deprecating “ol’ redneck” is without a doubt one of his big brother’s most entertaining boosters and a joy to hang around. He fills in the blanks when there’s questions about young Waylon and tells pretty good stories about all the folks who’ve dropped by.
Donations accepted and recommended.
E. Waylon Jennings Blvd (FM 54) @ Hall Ave., 806 385 5561, 385 0054
Open 10-9 Mon-Sat. Donations accepted
Farther south on Hall Street is the municipal Waylon Jennings RV Park. Parking and camping are complimentary.
Part Three of the stories behind the story of my West Texas Music drive, one of 18 drives in Texas Monthly’s Drive issue, June, 2012
CANYON is the gateway to Palo Duro Canyon, Texas’s Grand Canyon, and the home of Texas’s Smithsonian, the Pahandle-Plains Museum, which tells the stories of the people of the Panhandle, the Great Plains, and far North and near West Texas. It’s a beautiful building loaded with outstanding artifacts and recreations of dugout, Indian communities, and old western towns. One of my favorite artifacts is a painting by Georgia O’Keefe when she was a teacher at West Texas State Normal College in Canyon, now known as West Texas A&M. It illustrates that this part of Texas, not New Mexico, was where O’Keefe first fell under the influence of bright natural light.
PPM is an easy place for a curious mind to get lost in.
Unfortunately, for being such a great repository, PPM does not have a permanent music exhibit (then again, in Amarillo, just up the Interstate, there is no absolutely no formal recognition of local hero Eck Robertson, who is credited with making the very first country music record with Henry Gilliland when the Victor company released two sides they recorded, “Sallie Goodin” and “Arkansas Traveler,” in 1922).
What the PPM does have is an extensive archive including music artifacts. If a visitor plans ahead to make an appointment with archivist Warren Sticker, you can go into the stacks and see up close and personal one of Bob Wills’ fiddles (the best they’ve got in Turkey is a fiddle that belonged to Bob’s father), as well as the acoustic guitar belonging to Buddy Knox from Happy, the band leader of the Rhythm Orchids, the West Texas rock and roll and rockabilly band second only to Buddy Holly’s Crickets, famous for their big hits “Party Doll” as well as “Hula Love,” “Rock Your Baby to Sleep,” and “Think I’m Gonna Kill Myself.”
PANHANDLE- PLAINS HISTORICAL MUSUEM
CANYON Panhandle-Plains Historical Museum, 2503 4th Avenue, Canyon
Admission $10 for adults, 9am – 6pm Mon-Sat during summer months
To see Bob Wills’ fiddle and Buddy Knox’s guitar, contact archivist Warren Sticker to set up an appointment. 806 651-2254, email@example.com There is an additional $5 charge to access the research center